What do The Police, Nick Cave and the Bad Seeds, The Arctic Monkeys, and Guns N’ Roses have in common? Despite being miles apart musically, the secret to their sound resides in a tiny metal box designed in New Zealand, and exported to stages around the world.
Meet the Red Witch ‘Seven Sisters’.
Confused?
Like a magician relies on smoke and mirrors, guitarists use effects pedals to create an illusion. These little boxes come in many shapes, sizes and colors but every single one changes the sound that you hear through the speakers in some shape or form. Often it results in guitarists spending more time staring at their feet, or hunched over twisting dials with an engrossed look on their face, than striking a pose.
Some pedals are developed to make everything sound bigger, such as echo or delay (much of Pink Floyd’s catalogue), while some try to make the guitar sound like an organ or other instrument (My Iron Lung by Radiohead), or even as non-musical as possible including explosion sounds, or extreme feedback (anything by Sonic Youth).
Believe it or not, it’s all big business – with New Zealand being a well-established leader at creating these little boxes of joy.
Red Witch Analog is the latest SME to take off after experimenting with new technology from their humble garage-turned-factory on Wellington’s Kapiti Coast. Red Witch discovered a way of making pedals that were half the standard size and contained a rechargeable lithium-ion battery – meaning guitarists don’t need to carry piles of batteries or adaptors. With guitar stores in the US and Europe lining up to stock Red Witch products, the estimated revenue within five years alone is US$10 million. To top it off, they are now one of the top three pedal builders in the world.
As well as the artists listed in the opening paragraph, converts of Red Witch include U2’s The Edge (possibly the most ridiculous name for a guitarist ever?), who has given the pedals a permanent spot in his setup.
So how did Red Witch go from being a cash-strapped start-up to a major industry player?
Red Witch always knew their products were world class but the issue was sourcing capital to create the pedals cost-effectively and a good enough marketing strategy to get the pedals noticed by those who matter most. Along came Geoff Matthews, an award-winning marketer and investor whose previous successes include New Zealand companies Mount Cook Salmon and TaxRefunds (a wee bit less rock and roll than Red Witch).
Matthews’ marketing direction included developing Red Witch’s award-winning website, While Red Witch Electronics founder Ben Fulton honed the aesthetic design of the pedals, making them look as good as they sound with custom graphics and color for each model. With extra funds available, Fulton took the pedals on the road – visiting events in the US and trying to meet famous musicians, who became his most effective marketing tool.
So, what lessons are there for the average start-up or struggling SME?
Refine your product
Red Witch put a lot of time and energy into refining their offering before taking it to market. From extensive research, they identified a need for their product and stuck with the idea despite initial (pre-investment capital) manufacturing costs. If your product isn’t the best it can be, now is the time to refine it and get it right – after all, you’ll be committing the majority of your time and energy over the following years to making it work.
Get noticed
You might have the best idea ever, but it’s no good if no one knows about it. Go dust the calculator off and figure out if it’s financially viable, complete a detailed business plan, and get your idea out there. Talk to your bank manager to see how they can help, track down an experienced mentor and find out what investment opportunities there are waiting to be discovered.
Get smart with your marketing
Rather than focusing on a few quick sales, think about a long-term sales strategy that will set you up for growth. In the case of Red Witch, having famous musicians interested in their products boosted the company’s profile without spending any money. If you are strapped for cash, think about how to generate interest – online forums and social media are a good start, but also think about a demonstration event to raise your profile. Seeing a new, innovative product in the flesh and the excited business owner behind it will generate more sales than a sterile YouTube video or online marketing spiel.
Postscript:
For those interested, New Zealand’s most successful pedal is the Crowther Hot Cake – designed by ex-Split Enz drummer Paul Crowther. Paul was a great inventor and developed his own effects pedals that he gave to his (often reluctant) band mates. One became a permanent fixture for guitarist Mike Chunn when Paul decided to glue one of his weird boxes on the back of his guitar. Possibly for this reason, Paul was fired from the band. He kept experimenting with new pedals in his garden shed, eventually developing the Hot Cake, one of the most popular effects of all time.
Everyone has a Hot Cake – Keith Richards even has two. I also have one (see above). It’s battered, chipped and is with me when I practice at home, at band practice and has even graced the (small, local) stage. It’s not pretty – it wouldn’t win any design awards but it’s a great product and has set Mr Crowther up for a comfortable retirement.
So what does it do? It makes old, tired amplifiers sound better, new amplifiers sound older, bad amplifiers sound less bad and good amplifiers sound great.
(Still confused? Here’s a serious video of Murray, from the children’s super group The Wiggles, talking about his effects pedals.)










